Director: Paco Plaza With: Sandra Escacena, Claudia Placer, Bruna Gonzalez, Ivan Chavero, Ana Torrent, Consuelo Trujillo, Angela Fabian, Carla Campra, Chema Adeva. 1 hour 45 minutes Finding surprising new life in the found-footage horror genre, ’s “[REC]” movies (the first two co-directed with Jaume Belaguero) looked like a fantasy franchise with the potential to get better and better. That is, until parts 3 and 4 disappointed sufficiently to end the series with a whimper. Released online without any advance publicity by Netflix, “Veronica” proves helmer-coscenarist Plaza certainly still has the chops to remain a player among global genre talents. But this somewhat long-winded tale of demonic invasion in a Madrid household is just a partial bounce-back: Its ideas aren’t ultimately original enough or its scares potent enough to suggest Plaza wouldn’t benefit from trying his directorial hand at someone else’s screenplay. After a teaser opening in which police respond to a panicked call from some children (arriving to witness a scene whose horror remains off-screen for the next 90 minutes or so), we rewind 76 hours.

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It’s just another toilsome day for 15-year-old Vero, AKA Veronica (an impressive Sandra Escacena), who must wake her three younger siblings, feed them, escort them to and from school, and otherwise do all the parenting that their widowed, bar-employed mother (Ana Torrent) benignly neglects. Plaza is no hack; leaving behind the found-footage conventions of the “[REC]” films, he stages this modestly scaled enterprise with an elegant, straightforward polish, imbuing the family’s ordinary flat with ominous atmospherics. Znachenie korejskih kart hato. The young performers are all very well handled, and there’s a nice, unforced sense of detail to the fatherless nuclear unit’s slightly-dysfunctional-yet-still-functional dynamic. The only packaging element that’s more self-conscious than naturalistic is Chucky Namanera’s score, which manages to encompass both ’80s-style synth suspense motifs and melodramatically older-school flourishes, all to good effect. But the care that goes into “Veronica’s” assembly is still ultimately let down a bit by its content: This movie just takes too long getting somewhere that isn’t different enough from umpteen other recent “haunted family” chillers in the “Conjuring” mode. Film Review: 'Veronica' Reviewed online, San Francisco, March 2, 2018. (In Toronto, Palm Springs film festivals.) Running time: 105 MIN.

Production: (Spain) A Netflix release (U.S.) of an Apache Films and Expediente La Pelicula production in association with RTVE, Orange, Sony Pictures International and Film Factory. Producer: Enrique Lopez Lavigne.

Executive producers: Maria Angulo, Lavigne, Mar Ilundain. Crew: Director: Paco Plaza. Screenplay: Plaza, Fernando Navarro. Camera (color, HD): Pablo Rosso. Editor: Marti Roca. Music: Chucky Namanera.